Every day, the media bombards us with stories of a new crisis that seems to threaten the existence of life on planet earth: melting icecaps,
If you’re unaware of the crisis in the maintenance industry, it’s not for lack of effort on the part of Joel Leonard, who says that deferring the maintenance of both private and public infrastructure has already claimed thousands of lives.
To draw public attention to the crisis, Leonard has turned to a medium long used by those seeking to jumpstart a movement: song. His lyrics to the “Maintenance Crisis Song,” set to the music of friend Harley Denio, warn of impending breakdown and social upheaval:
No one wants to work in the boiler room,
no one wants to work with the tools.
The nation’s busy taking the easy way out,
There’s no one left to fix our schools.
Maintenance technicians are about to retire.
Company executives got no one to hire.
How safe does it make you feel?
Since the “Maintenance Crisis Song” was first recorded in 2003, it’s been “covered” by several other groups, including a hip-hop rendition by the “Toolkit Kids,” a group of Cone Elementary students who are part of Heavenly Voices Performing Arts, an after-school music and dance program active in several Guilford County Schools in Greensboro, N.C.
“The message is that maintenance is an awesome, awesome job,” says Mary Stevens, a substitute teacher in the
“I overheard Joel talking about the song, and I told him about the children,” says Stevens. The backing tracks and lead rap were recorded by Terrence Jenkins, with the children singing a background chorus of “How safe/ How safe does it make you feel?”
Stevens says that being part of the project had a positive effect on the 18 children involved, aside from introducing them to the possibilities of a career in maintenance.
“It helped the children with their self-esteem, and it improved their schoolwork and behavior,” says Stevens. “The children saw they could really do something totally different” when they went into the studio to record the song. “It changed their attitudes.”
Leonard says that an obstacle to luring more young people into the field is a negative public perception of the job and those who do it.
“The job has been culturally stigmatized to the point where people don’t want to get their hands dirty,” says Leonard. “They don’t want to do manual labor, and they look down their nose at people who do. We’re trying to overcome that, because our whole economy rests on the back of people who do this kind of work.”
Pop culture has certainly not been kind to the maintenance profession. The disco-era sitcom “One Day at a Time” portrayed apartment manager Dwayne Schneider as a would-be ladies’ man constantly hitting on struggling single mother Ann Romano, while on “Good Times” a character is almost killed after hapless and obese building superintendent Bookman fails to fix an elevator in a timely fashion. The only positive television portrayal of maintenance personnel that he can think of, says Leonard, is “Star Trek’s” chief engineer Montgomery “Scotty” Scott and his 1980s successor Geordi La Forge.
“The maintenance industry needs its own ‘MacGyver,’” says Leonard, referring to the 1980s TV action hero who was known for assembling evil-plot-foiling devices out of common household objects.
Leonard first learned to appreciate the value of the maintenance profession while working in a factory after graduating from
“When I got my degree, there was 25 percent unemployment in my hometown of
After several years in marketing and sales, Leonard joined
Leonard — dubbed by one trade magazine as a “maintenance evangelist” — shows a visitor around the teaching facilities at Mpact where he trains future generations in the arts of maintaining electrical, hydraulic and pneumatic systems.
“We’re trying to move away from the reactive maintenance, which we’ve named ‘Bubba’ and ‘Skeeter,’ just to personify it to get people to recognize, ‘Hey, that’s not the way it is anymore,’” says Leonard, pointing to a Plexiglas tombstone that reads “Bubba and Skeeter RIP.” Leonard pauses to demonstrate the principles of hydraulics at a learning station that resembles a child’s science kit on steroids, with switches and pulsing tubes of red fluid.
“The guys have to be knowledgeable in all these technologies,” says Leonard as he presses a button to activate a hydraulic plunger. “They can’t just be a Bubba and a Skeeter and get the job done anymore. What we try to do here is teach them why things do what they do, not just what buttons to push, so when they get out to the real world where there’s not one concrete solution [to a problem], they know enough of the systems in place to know how to make a solution work, and how to build a solution.”
Every time you ride an elevator, fly on a plane or merely adjust the thermostat in your office, you’re relying on the unseen and for the most part publicly unacknowledged skills of maintenance people, or “facilities managers.” As Baby Boomers retire, the nation faces a critical shortage of people with the technical skills to maintain these systems, Leonard says.
“I’m the former national vice president of the Association for Facility Engineering. We found out that the average age of maintenance workers and plant engineers is 48 years old,” says Leonard. “We went to a conference in Nashville in 2002. There were 600 of us, and a guy up onstage said, ‘How many of you are going to retire in the next 10 years?’ Eighty to 90 percent of the people in the room raised their hands. Then he asked, ‘How many of you feel comfortable turning over the reigns to the next generation?’ Nobody raised their hands. ‘How many of you have somebody in the wings that you’re training to take over your job?’ Nobody raised their hands. They said that they can’t find the kids who want to do this kind of work.”
David Holley, director of opera at UNCG, says Leonard supplied him with the inspiration to do an opera version of the “Maintenance Crisis Song,” sung to the tune of the “Largo al Factotum” aria from Rossini’s The Barber of Seville.
“I know Joel through a mutual friend, and he just emailed me out of the blue with this wild idea for an operatic version,” says Holley. “I thought of different arias that would fit the text, and I found a CD with an orchestral version of The Barber of Seville. I just inserted Joel’s words into the melody that was already written.”
Leonard plans to release a compilation of the different versions entitled "Pipe Dreams: Build It or They Will Leave." His goals for the CD are suitably modest: draw more attention to the crisis and win a Grammy.
“I’m waiting on two or three more genres,” says Leonard. “I’ve got eight right now.”
In addition to hip-hop, opera and garage rock, there’s also reggae, funk and blues versions, plus a song called “Find Me A Maintenance Woman,” which he hopes will inspire women to enter the field. He’s currently looking for Spanish, gospel and bluegrass versions of the song.
“The bluegrass one will be called ‘There’s A Maintenance Crisis, I Reckon,’” says Leonard, laughing. While Leonard “wants to have fun” with his song, the crisis, he says, is no laughing matter.
“The jobs are out there,” he says. “They’re just behind the scenes and taken for granted.”
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